Film On Four
The Fall and Rise of British Cinema
Channel 4
Quality Television
The First Five Years
The International Market
The Film Four Style
Good Films – Poor Profits
A Stifling Influence?
The BBC and ITV
Conclusions
A History of British Film
Early British Comedy
Early Hitchcock
Introduction to Humphrey Jennings
Humphrey Jennings and Third Cinema
The Stars Look Down / The Proud Valley – Conflict and Unity
The Renaissance of the 1980s
Film On Four
The BBC and ITV
James Saynor, writing for Sight and Sound in 1992, is cynical of Film on Four’s role in the British cinema revival but credits it with inspiring the BBC, who are more financially powerful, to follow suit and hopefully make an even more pronounced impact. ‘At the end of its first decade [Film on Four] increasingly resembles an albatross that the cash strapped Channel Four is feeding with reluctance. But it’s passed the film-making baton to the BBC, which, given current corporation politics suddenly looks quite secure in Shivas’ hands’.
Mark Shivas took over as head of BBC drama in 1991 and has since reformed the BBC’s fiction policy to very much resemble Channel Fours. The BBC has also started providing domestic cinema releases for its in-house productions prior to their TV debuts, something that had previously been impossible due to the corporationÕs disagreements with the technicians unions. And the ITV companies have also followed suit pledging to invest £100million in feature film production over the next five years. So even if Film on Four’s contribution to British cinema is debatable it must be credited with innovating the template for the financing of British film for the next few years.